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postato da:  Valerio Di Stefano (del 03/09/2010 @ 15:43:30, in _Redazionali, linkato 8 volte)
Cari amici,

ci è giunta notizia, e con comprensibile e vivo stupore, che il sito www.controversi.org, dedicato alla diffusione di audiobook da oltre quattro anni, potrebbe venire sospeso per non ben meglio chiarite problematiche di ordine tecnico.

Come è ovvio stiamo tentando di fare il possibile perché questo non accada, ma le cose non dipendono solo ed esclusivamente da noi.

Speriamo di poter continuare a offrire, come abbiamo fatto finora, cultura libera e gratuita.

Se, poi, così non dovesse essere, per motivi che sfuggono sia alla nostra comprensione che alle nostre umane possibilità, pazienza, cercheremo, come abbiamo sempre fatto, di fare di tutto affinché la cultura libera venga diffusa, e al meglio.

Magari in altre iniziative, magari, chissà, chiamandoci "libriparlati", o chissà cos'altro.

Certi come siamo che l'importante non sono le singole iniziative, destinate inevitabilmente a passare, ma proporre, proporre, proporre...


Grazie comunque per averci aiutato a diffondere tutto questo.


Valerio Di Stefano
 
postato da:  Valerio Di Stefano (del 31/08/2010 @ 11:00:00, in Di Stefano, linkato 134 volte)


Cenni sul copyright: A differenza della pressoché totalità degli archivi presenti su controversi.org e dell'edizione cartacea dell'opera, i file relativi all'audiolettura di "Nunc et in hora mortis nostrae" sono sotto copyright e ogni diritto è riservato.
L'utente finale è libero di scaricare l'opera così com'è nel formato o nei formati preferiti, per uso personale ma non può cederla a terzi.

MP3

Filename  Size  Date 
00_copertina.mp3  253,509   8/21/10  5:32 pm
01_premessa.mp3  4,352,459   8/21/10  5:33 pm
02_nunc01.mp3  2,608,489   8/21/10  5:33 pm
03_nunc02.mp3  1,656,569   8/21/10  5:33 pm
04_nunc03.mp3  1,342,930   8/21/10  5:33 pm
05_nunc04.mp3  4,132,364   8/21/10  5:33 pm
06_nunc05.mp3  1,335,369   8/21/10  5:33 pm
07_nunc06.mp3  1,386,469   8/21/10  5:33 pm
08_nunc07.mp3  1,467,134   8/21/10  5:33 pm
09_nunc08.mp3  702,720   8/21/10  5:33 pm
10_nunc09.mp3  819,989   8/21/10  5:33 pm
11_nunc10.mp3  1,904,039   8/21/10  5:33 pm
12_nunc11.mp3  806,849   8/21/10  5:33 pm
13_nunc12.mp3  1,113,345   8/21/10  5:33 pm
14_nunc13.mp3  417,759   8/21/10  5:33 pm
15_nunc14.mp3  3,036,269   8/21/10  5:34 pm
16_nunc15.mp3  1,178,784   8/21/10  5:34 pm
17_nunc16.mp3  1,197,399   8/21/10  5:34 pm
18_nunc17.mp3  1,885,059   8/21/10  5:34 pm
19_nunc18.mp3  1,933,969   8/21/10  5:34 pm
20_nunc19.mp3  2,109,899   8/21/10  5:34 pm
21_nunc20.mp3  962,339   8/21/10  5:34 pm
22_nunc21.mp3  834,120   8/21/10  5:34 pm
23_nunc22.mp3  1,087,169   8/21/10  5:34 pm
24_nunc23.mp3  3,414,774   8/21/10  5:34 pm
25_nunc24.mp3  2,827,854   8/21/10  5:34 pm


OGG


00_copertina.ogg  145,022   8/21/10  5:30 pm
01_premessa.ogg  2,545,955   8/21/10  5:30 pm
02_nunc01.ogg  1,535,852   8/21/10  5:30 pm
03_nunc02.ogg  978,292   8/21/10  5:30 pm
04_nunc03.ogg  789,111   8/21/10  5:30 pm
05_nunc04.ogg  2,423,344   8/21/10  5:31 pm
06_nunc05.ogg  789,528   8/21/10  5:31 pm
07_nunc06.ogg  819,606   8/21/10  5:31 pm
08_nunc07.ogg  851,267   8/21/10  5:31 pm
09_nunc08.ogg  417,892   8/21/10  5:31 pm
10_nunc09.ogg  480,125   8/21/10  5:31 pm
11_nunc10.ogg  1,112,107   8/21/10  5:31 pm
12_nunc11.ogg  473,262   8/21/10  5:31 pm
13_nunc12.ogg  651,714   8/21/10  5:31 pm
14_nunc13.ogg  237,102   8/21/10  5:31 pm
15_nunc14.ogg  1,795,460   8/21/10  5:31 pm
16_nunc15.ogg  689,453   8/21/10  5:31 pm
17_nunc16.ogg  722,754   8/21/10  5:31 pm
18_nunc17.ogg  1,134,256   8/21/10  5:31 pm
19_nunc18.ogg  1,118,021   8/21/10  5:31 pm
20_nunc19.ogg  1,268,875   8/21/10  5:32 pm
21_nunc20.ogg  576,468   8/21/10  5:32 pm
22_nunc21.ogg  489,043   8/21/10  5:32 pm
23_nunc22.ogg  654,406   8/21/10  5:32 pm
24_nunc23.ogg  1,998,233   8/21/10  5:32 pm
25_nunc24.ogg  1,676,083   8/21/10  5:32 pm

WAV

Filename  Size  Date 
00_copertina.wav  1,589,292   8/21/10  4:00 pm
01_premessa.wav  27,464,376   8/21/10  4:10 pm
02_nunc01.wav  16,455,392   8/21/10  4:14 pm
03_nunc02.wav  10,445,868   8/21/10  4:17 pm
04_nunc03.wav  8,465,676   8/21/10  4:20 pm
05_nunc04.wav  26,073,860   8/21/10  4:28 pm
06_nunc05.wav  8,418,348   8/21/10  4:30 pm
07_nunc06.wav  8,742,250   8/21/10  4:33 pm
08_nunc07.wav  9,249,622   8/21/10  4:36 pm
09_nunc08.wav  4,424,688   8/21/10  4:37 pm
10_nunc09.wav  5,165,474   8/21/10  4:39 pm
11_nunc10.wav  12,008,492   8/21/10  4:42 pm
12_nunc11.wav  5,082,196   8/21/10  4:45 pm
13_nunc12.wav  7,016,858   8/21/10  4:47 pm
14_nunc13.wav  2,625,580   8/21/10  4:48 pm
15_nunc14.wav  19,154,896   8/21/10  4:53 pm
16_nunc15.wav  7,430,188   8/21/10  4:55 pm
17_nunc16.wav  7,548,574   8/21/10  4:57 pm
18_nunc17.wav  11,887,660   8/21/10  5:00 pm
19_nunc18.wav  12,197,176   8/21/10  5:03 pm
20_nunc19.wav  13,308,566   8/21/10  5:07 pm
21_nunc20.wav  6,064,172   8/21/10  5:08 pm
22_nunc21.wav  5,254,188   8/21/10  5:10 pm
23_nunc22.wav  6,851,628   8/21/10  5:12 pm
24_nunc23.wav  21,545,418   8/21/10  5:17 pm
25_nunc24.wav  17,839,148   8/21/10  5:21 pm

M4A

Filename  Size  Date 
00_copertina.m4a  148,116   8/21/10  7:52 pm
01_premessa.m4a  2,741,374   8/21/10  7:53 pm
02_nunc01.m4a  1,608,838   8/21/10  7:53 pm
03_nunc02.m4a  1,031,079   8/21/10  7:53 pm
04_nunc03.m4a  831,737   8/21/10  7:53 pm
05_nunc04.m4a  2,563,055   8/21/10  7:53 pm
06_nunc05.m4a  815,811   8/21/10  7:53 pm
07_nunc06.m4a  869,891   8/21/10  7:53 pm
08_nunc07.m4a  910,802   8/21/10  7:53 pm
09_nunc08.m4a  437,716   8/21/10  7:53 pm
10_nunc09.m4a  502,971   8/21/10  7:53 pm
11_nunc10.m4a  1,167,582   8/21/10  7:53 pm
12_nunc11.m4a  489,039   8/21/10  7:54 pm
13_nunc12.m4a  675,802   8/21/10  7:54 pm
14_nunc13.m4a  247,303   8/21/10  7:54 pm
15_nunc14.m4a  1,854,666   8/21/10  7:54 pm
16_nunc15.m4a  724,604   8/21/10  7:54 pm
17_nunc16.m4a  729,632   8/21/10  7:54 pm
18_nunc17.m4a  1,143,705   8/21/10  7:54 pm
19_nunc18.m4a  1,170,175   8/21/10  7:54 pm
20_nunc19.m4a  1,278,210   8/21/10  7:54 pm
21_nunc20.m4a  593,319   8/21/10  7:54 pm
22_nunc21.m4a  504,013   8/21/10  7:54 pm
23_nunc22.m4a  659,197   8/21/10  7:54 pm
24_nunc23.m4a  2,093,937   8/21/10  7:55 pm
25_nunc24.m4a  1,693,218   8/21/10  7:55 pm

WMA

Filename  Size  Date 
00_copertina.wma  314,044   8/21/10  7:50 pm
01_premessa.wma  5,366,844   8/21/10  7:51 pm
02_nunc01.wma  3,216,444   8/21/10  7:51 pm
03_nunc02.wma  2,042,044   8/21/10  7:51 pm
04_nunc03.wma  1,654,844   8/21/10  7:51 pm
05_nunc04.wma  5,094,844   8/21/10  7:51 pm
06_nunc05.wma  1,648,444   8/21/10  7:51 pm
07_nunc06.wma  1,709,244   8/21/10  7:51 pm
08_nunc07.wma  1,808,444   8/21/10  7:51 pm
09_nunc08.wma  867,644   8/21/10  7:51 pm
10_nunc09.wma  1,011,644   8/21/10  7:51 pm
11_nunc10.wma  2,349,244   8/21/10  7:51 pm
12_nunc11.wma  995,644   8/21/10  7:51 pm
13_nunc12.wma  1,373,244   8/21/10  7:51 pm
14_nunc13.wma  515,644   8/21/10  7:51 pm
15_nunc14.wma  3,744,444   8/21/10  7:51 pm
16_nunc15.wma  1,453,244   8/21/10  7:52 pm
17_nunc16.wma  1,475,644   8/21/10  7:52 pm
18_nunc17.wma  2,323,644   8/21/10  7:52 pm
19_nunc18.wma  2,384,444   8/21/10  7:52 pm
20_nunc19.wma  2,602,044   8/21/10  7:52 pm
21_nunc20.wma  1,187,644   8/21/10  7:52 pm
22_nunc21.wma  1,027,644   8/21/10  7:52 pm
23_nunc22.wma  1,341,244   8/21/10  7:52 pm
24_nunc23.wma  4,211,644   8/21/10  7:52 pm
25_nunc24.wma  3,488,444   8/21/10  7:52 pm
 
di Valerio Di Stefano
Prezzo di vendita 5,00
Libro RACCONTI 56 pagine
Copertina Morbida - Formato 12x18 - bianco e nero
 
postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:59:36, in Campbell, linkato 41 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:55:07, in Campana, linkato 47 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:32:32, in Caedmon, linkato 44 volte)
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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:29:03, in Byron, linkato 64 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:26:02, in Byron, linkato 43 volte)
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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:22:49, in Byron, linkato 43 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:19:14, in Busch, linkato 42 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:10:58, in Burton, linkato 38 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:07:35, in Burns, linkato 70 volte)

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postato da:  Valerio Di Stefano (del 31/08/2010 @ 10:04:39, in Burns, linkato 45 volte)
 
postato da:  Valerio Di Stefano (del 27/08/2010 @ 15:50:58, in Cervantes, linkato 2427 volte)
Primera Parte

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Segunda Parte

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postato da:  Valerio Di Stefano (del 25/08/2010 @ 17:35:10, in Boccaccio, linkato 6833 volte)
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postato da:  Valerio Di Stefano (del 25/08/2010 @ 15:24:33, in Kipling, linkato 64 volte)

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postato da:  Valerio Di Stefano (del 25/08/2010 @ 14:12:05, in Camoes, linkato 45 volte)

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postato da:  Valerio Di Stefano (del 25/08/2010 @ 12:51:11, in Camoes, linkato 781 volte)
Le opere liriche di Camões furono pubblicate come Rimas, non essendoci accordo tra i diversi editori circa il numero di sonetti scritti dal poeta e circa la paternità di alcuni dei componimenti. Alcuni suoi sonetti, come il famoso Amor é fogo que arde sem se ver, per l'uso audace dei paradossi, preannunciano il Barocco.

Camões compose sonetti, liriche, odi, canzoni ed ancora il Seleuco, operetta teatrale di carattere farsesco (quella che gli valse il favore del re nel 1546), l'Amphytriões, commedia al modo di Plauto, il Filodemo, commedia romanzesca, la Satira do torneo ed altre.

da: http://it.wikipedia.org/wiki/Lu%C3%ADs_de_Cam%C3%B5es#Le_opere_liriche

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da: www.librivox.org

 
postato da:  Valerio Di Stefano (del 25/08/2010 @ 12:30:42, in Boccaccio, linkato 1064 volte)

da: LibroParlato

Licenza: Creative Commons Attribuzione - Non commerciale - Condividi allo stesso modo 2.5

Tratto da: Decameron / Giovanni Boccaccio ; a cura di Vittore Branca - Milano : A. Mondadori, 1985 - LXXVII, 1239 p. ; 18 cm. - I meridiani - 59.

Le cornici musicali sono arrangiate ed eseguite da Ivan Genesio, genesio.ivan@libero.it, e sono tratte da testi dell'ARS NOVA ITALIANA:

  • Ave regina di Marchetto da Padova;
  • Gloria e Ciaramella di Antonio Zacara da Teramo
  • Lucida pecorella e Giporte di Donato da Firenze
  • Mille mercede amor di Frate Egidius
  • Or qua, conpagni dal Codice Rossi 215 della Biblioteca Vaticana

Altri frammenti (sempre arrangiati ed eseguiti da Ivan Genesio) sono tratti da:

  • Aria di Zerlina, "Vedrai, carino", del Don Giovanni di Wolfgang Amadeus Mozart

Per la decima giornata le cornici musicali sono frammenti strumentali tratti da:

  • Orfeo di Claudio Monteverdi eseguiti dall'Orchestra del Teatro alla Scala di Milano, diretta da Ferruccio Calusio.

La Peste di Firenze è introdotta da un frammento del:

  • Dies Irae dal Requiem in D minor K 626 di Wolfgang Amadeus Mozart eseguito dalla RIAS-Symphonie-Orchester Berlin diretta da Ferenc Fricsay.
 
postato da:  Valerio Di Stefano (del 24/08/2010 @ 11:24:45, in Busch, linkato 85 volte)

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postato da:  Valerio Di Stefano (del 24/08/2010 @ 11:08:55, in AAVV, linkato 264 volte)

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postato da:  Valerio Di Stefano (del 24/08/2010 @ 10:36:57, in Bulwer-Lytton, linkato 59 volte)
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postato da:  Valerio Di Stefano (del 24/08/2010 @ 10:21:35, in Brumaire, linkato 487 volte)

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postato da:  Valerio Di Stefano (del 24/08/2010 @ 10:14:36, in Browning, linkato 80 volte)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 14:04:59, in Browning, linkato 59 volte)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 14:01:25, in Brooke, linkato 90 volte)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 12:23:31, in Brooke, linkato 134 volte)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 12:22:20, in Browning, linkato 1938 volte)
Elizabeth spent her youth at Hope End in Ledbury near Great Malvern, England. The Barrett family had amassed a considerable fortune from the Jamaican sugar plantations inherited by her father, Edward Moulton Barrett, who was born there. The Barretts had been associated with Jamaica for generations. As a boy he emigrated to England with his brother and sister (she is the subject of the painting "Pinkie" in the Huntington Museum). He and his wife, Mary Graham-Clarke, were parents of twelve children (Elizabeth was the eldest). Elizabeth was educated at home and attended lessons with her brother's tutor and was thus well-educated for a girl of that time. When in her early teens, Barrett contracted a lung complaint, possibly tuberculosis, although the exact nature of her illness has been the subject of speculation. She was subsequently regarded as an invalid by her family. The first poem we have a record of is from the age of six or eight (the manuscript is in the Berg Collection of the New York Public Library; the date is in question because the 2 in the date 1812 is written over something else that is scratched out). A long Homeric poem titled "The Battle of Marathon" was published when she was fourteen, her father underwriting its cost. In 1826 she published her first collection of poems, "An Essay on Mind and Other Poems." Its publication drew the attention of a blind scholar of the Greek language, Hugh Stuart Boyd, and another Greek scholar, Uvedale Price, with both of whom she maintained a scholarly correspondence. At Boyd's suggestion, she translated Aeschylus's "Prometheus Bound" (published in 1833; retranslated in 1850).

The abolition of slavery, a cause which she supported (see her work The Runaway Slave at Pilgrim's Point (1849)), considerably reduced Mr. Barrett's means. He moved with his family first to Sidmouth and afterwards to London. After the move to London, she continued to write, contributing to various periodicals "The Romaunt of Margaret", "The Romaunt of the Page", "The Poet's Vow", and other pieces, and corresponded with literary figures of the time, including Mary Russell Mitford. In 1838 appeared The Seraphim and Other Poems.

The death of her brother, Edward, who drowned in a sailing accident at Torquay in 1840, had a serious effect on her already fragile health; and for a few years she rarely left her bedroom. Eventually, however, she regained strength, and meanwhile her fame was growing. The publication in 1843 of "The Cry of the Children" gave it a great impulse, and about the same time she contributed some critical papers in prose to Richard Henry Horne's A New Spirit of the Age. In 1844 she published two volumes of Poems, which included "A Drama of Exile," "A Vision of Poets," and "Lady Geraldine's Courtship."

In 1845 she met her future husband, Robert Browning, who had written to her after the publication of her Poems. Their courtship and marriage, owing to her delicate health and the extraordinary objections made by Mr. Barrett to the marriage of any of his children, were carried out secretly. After a private marriage at St Marylebone Parish Church, she accompanied her husband to the Italian Peninsula, which became her home almost continuously until her death.

The union proved a happy one. In her new circumstances Elizabeth's strength greatly increased. At the age of 43 she gave birth to a son, Robert Wiedemann Barrett Browning, called Pen. The Brownings settled in Florence, and there she wrote Casa Guidi Windows (1851) under the inspiration of the Tuscan struggle for liberty, with which she and her husband were in sympathy. In Florence she became close friend of British-born poets Isabella Blagden and Theodosia Garrow Trollope.

The verse-novel Aurora Leigh, her most ambitious, and perhaps the most popular of her longer poems, appeared in 1856. It is the story of a woman writer making her way in life, balancing work and love.

Among Barrett Browning's best known lyrics is Sonnets from the Portuguese (1850) - the 'Portuguese' being her husband's petname for her. The title also refers to the series of sonnets of the 16th-century Portuguese poet Luis de Camões; in all these poems she used rhyme schemes typical of the Portuguese sonnets. In 1860 she issued a small volume of political poems titled Poems before Congress. Her health underwent a change for the worse; she gradually lost strength, and died on June 29, 1861. She is buried in the English Cemetery, Florence.

Elizabeth Barrett Browning was a woman of singular nobility and charm. Mary Russell Mitford described her as a young woman: "A slight, delicate figure, with a shower of dark curls falling on each side of a most expressive face; large, tender eyes, richly fringed by dark eyelashes, and a smile like a sunbeam." Anne Thackeray Ritchie described her as: "Very small and brown" with big, exotic eyes and an overgenerous mouth.

da: www.wikipedia.org

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 12:20:13, in Brooke, linkato 91 volte)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 11:55:22, in Austen, linkato 5728 volte)

The two eldest Dashwood sisters, Elinor and Marianne, one of whom (Elinor) embraces practicality and restraint while the other (Marianne) gives her whole heart to every endeavor. When the Dashwoods - mother Mrs. Dashwood, Elinor, Marianne, and youngest sister Margaret - are sent, almost impoverished, to a small cottage in Devonshire after the death of their father and the machinations of their brother’s wife, they accept their new circumstances with as much cheer as they can muster even though their brother and his wife have taken over the family estate and fortune. Marianne finds herself falling in love with the dashing Willoughby, who ends up being not all that he appears. Elinor, the more sensible of the two, falls for Edward Ferrars, a match that seems much more suitable. All of these pleasant connections are, however, soon disrupted. Willoughby leaves and ignores Marianne. Elinor finds out an unexpected secret about Ferrars that puts her on her caution in pursuing their relationship. As these complications develop, Marianne soon finds herself distraught despite having attracted another suitor, the reliable, but older, Colonel Brandon. Elinor steps into the breach to try to help her sister regain her equilibrium. Both learn what a broken heart can feel like and adjust in their own separate ways.
Since this is an Austen novel and a romance, be assured that all comes right in the end.

(Summary by Michelle Crandall)

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 11:50:20, in Austen, linkato 8196 volte)

Anne Elliott, Jane Austen’s only aging heroine, has devoted her life to caring for her financially irresponsible family. Just when she is growing content with her uneventful lifestyle, a long-lost flame re-enters the picture — now as the beau of her significantly younger cousin. Anne is now faced with a choice: will she watch Captain Wentworth settle into life with another woman, or will she strive to win back his love and escape her family? (Summary by Kirsten Ferreri)

 
postato da:  Valerio Di Stefano (del 21/08/2010 @ 11:39:05, in Austen, linkato 6171 volte)

Jane Austen demonstrated her mastery of the epistolary novel genre in Lady Susan, which she wrote in 1795 but never published. Although the primary focus of this short novel is the selfish behavior of Lady Susan as she engages in affairs and searches for suitable husbands for herself and her young daughter, the actual action shares its importance with Austen’s manipulation of her characters’ behavior by means of their reactions to the letters that they receive. The heroine adds additional interest by altering the tone of her own letters based on the recipient of the letter. Thus, the character of Lady Susan is developed through many branches as Austen suggests complications of identity and the way in which that identity is based on interaction rather than on solitary constructions of personality. Lady Susan’s character is also built by the descriptions of the other letter-writers; but even though their opinions of this heroine coincide with the image that develops from her own letters, Austen demonstrates the subjectivity of the opinions by presenting them – primarily – in the letters of one woman to another, thereby suggesting the established literary motifs of feminine gossip and jealousy. Readers recognize these subjective motifs and examine all of the idiosyncrasies of the characters in order to create their own opinion of Lady Susan – as they would of any real acquaintance. (Summary from Wikipedia)

Cast List:
Lady Susan Vernon - Kristin Hughes
Mrs. Vernon - rachelellen
Mr. De Courcy - Patrick Beverley
Mrs. Johnson - Kirsten Ferreri
Sir Reginald De Courcy - Simon Taylor
Lady De Courcy - Gesine
Miss Vernon - Kara Shallenberg
Narrator of the Conclusion - Justin Barrett
Intros/outros - Robert Scott


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postato da:  Valerio Di Stefano (del 21/08/2010 @ 11:17:51, in Poe, linkato 2877 volte)
The Pit and the Pendulum by Edgar Allan Poe (1809-1849) – 00:39:08
Source: Gutenberg e-text #2148
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Read by: Eric S. Piotrowski

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postato da:  Valerio Di Stefano (del 21/08/2010 @ 10:59:09, in Poe, linkato 3073 volte)
The Black Cat by Edgar Allan Poe (1809-1849) – 00:26:58
Source: Gutenberg e-text #2148
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Read by: Tom Yates

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postato da:  Valerio Di Stefano (del 20/08/2010 @ 17:46:31, in London, linkato 2213 volte)

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postato da:  Valerio Di Stefano (del 19/08/2010 @ 15:34:34, in Brooke, linkato 52 volte)

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